Consisting of two distinctive cores: Arquipélago — Centro de Artes Contemporâneas, in Ribeira Grande and Centro de Artesanato e Design dos Açores — CADA, in Ponta Delgada.
10—20 October 2019
Introduced in the islands in 1829, letterpress — despite all technological advances — comes alive to the present day, whether in the old print shops that still use it, or in a current approach, reinvented from a contemporary perspective, by designers and graphic artists who were attracted by the unique expressive characteristics of the old gutenbergian technique. In this core, an overview of the letterpress made in the Islands to the present day was shown.
From titles of the azorean press to various graphic pieces, including labels, a local tradition par excellence, from the Gorreana tea factory to the Maia tobacco factory, among others, also presenting some original printing plates. In addition to this historical material printed here, utensils and letterpress equipment from several São Miguel print shops were exhibited, including a small Minerva table top press that could be used by the public. Along with the old prints, it was possible to find some contemporary approaches to the same pieces, sometimes using the letterpress material used in the old ones a few decades ago. This highlighted the diversity of approaches allowed by letterpress and its ability to adapt to different times and aesthetic currents.
At the same time, this core intended to be a tribute to all the printers who worked and continue to work in the Azores Islands, also seeking to raise awareness and contribute to the promotion and preservation of equipment, materials and the knowledge of these masters, who are material and immaterial azorean heritage.
10—20 October 2019
In this core, there was a selection of contemporary works. From classic approaches to conjugation with other printing techniques, from the use of new materials and contemporary technologies to the intersection with fine arts, the intention was to show the vitality and diversity of current production with movable type. With emphasis on works developed in Portugal, the exhibition went back to the 70s and the pioneering work of Robin Fior — an English designer based in our country in that decade — until reaching our days and the latest projects.
The exhibition also included a collection of works by some of the most outstanding contemporary international letterpress printers, in response to an invitation by the TIPO organisation.
Arquipélago also highlighted the work of OSTP – Oficina Tipográfica de São Paulo — one of the references when it comes to letterpress, founded in 2000 in this brazilian city — and Claudio Rocha, graphic artist and typographer, one of its founders.
«Oficina Tipográfica São Paulo works preserving the culture of letterpress in its original form. The artisanal character is privileged, even though the typographic system responds as an industrial process. On the other hand, the creation and graphic design procedures are freely explored, ranging from historical research to pure experimentation with visual language, bringing graphic arts and visual arts closer together. The typographic monotypes that were part of the exhibition fit in this context, with equipment and graphic tools placed at the service of creation: press, wood and metal types, spatula, roller for manual inking, solvent, plates. Overlays, stains, decals, collage, pressure on the cylinders, everything is used as a form of expression, in a state of intense immersion that connects creative energy with graphic technique and leads to unexpected results.»
Atelier Artes e Letras
Dinis Botelho
Tipografia Micaelense
Edições 50kg
Espaço Memória
Tipografia Popular do Seixal
Filipa Matta
Gregory Le Lay
InPressed
Joana Monteiro
João Sebastian
Jorge dos Reis
Júlia Garcia
Miguel Melo
Miss Print
O Homem do Saco
Pedro Amado
Quadratim Letterpress
Robin Fior
Tipografia Dias
Serrote Ticoolgrafia
Vivóeusébio
Claudio Rocha
Oficina Tipografica São Paulo
Atelier Artes e Letras
Alan Kitching
Anonima Impressori
Archivio Tipografico
Claudio Madella
Dafi Kühne
David Wolske
Hatch Show Print
Rafael Neder e Flavio Vignoli
Roberto Gamonal Arroyo
Familia Plómez
Romano Hänni
Russell Maret
The Print Project